After a successful performance of a novelty piece that featured an MC and chamber ensemble while JooWan Kim was completing his master’s degree at the San Francisco Conservatory of Music, the MC at the time suggested they make an album together. Six months later and writing about an hour of music, Kim had a profound shift in the direction of his writing. He felt that he found a way out of the stifling contemporary concert music aesthetic in this new way of composition. JooWan crystallized his ideas into Method Sampling, a principle of borrowing or sampling of rationales from related as well as unrelated fields, then reframing them into one’s own system.